Mr & Mrs Smith (2005)

Actor/CharacterSexSexy Clothing/NudityIntimate TouchIntimate Dialogue/Other Non-touchSemi-intimate Touch
CountItemCountItemCountItemCountItem
Angelina Jolie/Jane Smithfemale26(0h00) Jane shows quite a bit of thigh in therapy session (short skirt); and her shirt is quite tight through the bust, too
(0h03) Knee length skirt pulled up to put knife in sheath on leg; bodice low cut, straps, bodice open somewhat to enhance cleavage; gap between skirt and bodice that shows when Jane moves/lifts arms (bare midriff)
(0h05) Jane in bed with sheet wrapped around her - no cleavage but a fair amount of bare back
(0h08) Jane in tank top
(0h09) Jane in half slip and scoop neck pushup bra
(0h16) Jane wears a snug T shirt and short skirt - sexy
(0h17; 0h20; 0h22 x 2) Jane in fishnets and boots, with garter and bare leg above, shiny leather bustier and miniskirt with major cleavage
(0h23) Jane in lowish cut dress, fishnets and thigh boots
(0h28) Jane in a very tight turtleneck shirt, very tight sexy knee length skirt with a short slit in back and very high heels
(0h30) Jane wears a high necked tank top (very bare shoulders)
(0h35) Jane wears a different high necked tank top (that is supposed to be the same one but isn't)
(0h42) Jane in tight skirt with very high side slit and very snug shirt
(0h48) Jane with very bare legs (in briefs? - can't see, may just be a long shirt)
(0h50) Jane wears an off shoulder wedding gown
(0h55; 1h00) Jane in snug t shirt with glimpse of bare midriff at one point
(1h00) Jane in bare shouldered gown with deep neckline, cleavage
(1h03) John pulls Jane's skirt up to remove the knife on her thigh - lots of leg
(1h11) Jane pulls her skirt up and exposes a lot of thigh as she sits on the stairs
(1h13) We get a glimpse of Jane's underwear as John flips her in the fight scene
(1h16) Jane just in bra above waist
(1h16) Jane naked above breastline (can't see below that)
(1h17) John shirtless when he answers the door, Jane stands beside him with fabric wrapped around her (sheet or curtain)
(1h18) Jane wears a man's shirt and is bare legged
(1h36) Jane in a tank dress with short skirt
(1h49) Jane shows bare midriff (wide) between pants and top
(1h51) Jane dressed very sexily in low neckline with cleavage, and much shorter skirt
14(0h04) John and Jane dance sexily together, with some touching (John's arm around Jane's shoulder; Jane's arms around John's neck) and dancing very close
(0h04) Jane sits on John's lap, his hand on back of her waist; he strokes her arm, side; they kiss
(0h06) John and Jane kiss with their arms around each other
(0h07) John and Jane walk with arms around each other; John kisses the side of Jane's head
(0h06) John and Jane walk through fairground with John's arm around Jane's neck, Jane's arm around John's waist, Jane's other hand on John's hand (around neck)
(0h12) John kisses Jane next to her mouth
(1h03) John and Jane dance very closely and sexily/dramatically together; variously feeling each other up to check for weapons
(1h15) John and Jane kiss passionately, their hands on each others heads
(1h15) John pushes Jane against a wall on a piece of furniture and pulls her skirt up; they kiss that way
(1h16) John takes his shirt off, he and Jane kiss, Jane helps him off with his T shirt, they kiss again, shoving furniture around in process
(1h16) John and Jane lie down next to each other on the floor, John's arm resting on Jane's hip; Jane now in bra (having pulled dress down in previous sequence somewhere)
(1h16) Jane sits astride John and they kiss again
(1h16) John and Jane caress each others faces - Jane now not showing any sign of bra straps
(1h17) John has his arm around Jane (Jane is holding the fabric around her in place)
39(0h00) Marriage therapist asks John and Jane how happy they are, and how often they have sex (they dodge the second question)
(0h16) Jane and John call each other "hon"
(0h21) Jane strokes and slaps Racin's back with a horsewhip (0h25) John compliments Jane on her dress earlier that evening; she doesn't take the opening and he's disappointed
(0h40) John and Jane say they missed each other (not sincere)
(0h41) John calls Jane "sweetheart"
(0h43) John calls Jane "sweetheart" again
(0h45) Jane is upset because she trusted John, didn't know he was an assassin: "how could I be so stupid"
(0h49) Jane says "you don't love him" to herself, trying to convince herself
(0h50) Jane upset to see her colleagues watching her wedding video
(0h53) Jane calls John "honey"
(0h53) John and Jane spar verbally with sexual innuendo
(0h57) John calls Jane "sweetheart"
(0h58) John calls Jane "honey"; Jane calls him "baby"
(1h00) Jane sad because she thinks John is dead
(1h01) John calls Jane "doll"
(1h02) John calls Jane "sweetheart"
(1h03) Verbal sexual innuendo between John and Jane as he searches her for weapons
(1h04) John and Jane argue why their marriage failed
(1h06) John is sentimental on phone to Jane, trying to get through to her "she looked like Christmas morning when they first met", Jane is cold (and lying)
(1h06) Jane calls John "baby"
(1h11) Jane calls John "baby"
(1h12) John calls Jane "sweetheart"
(1h13) John calls Jane "honey"
(1h18) John and Jane are clearly happy after a night together having sex
(1h24) Jane calls John "baby"; John calls her "sweetheart"
(1h25) Jane calls John "honey" twice then "sweetheart"
(1h25) John calls Jane "honey"
(1h27) John calls Jane "sweetheart"
(1h31) Jasmine calls Jane "babe"
(1h32) John and Jane talk about how many they've killed - sexual innuendo
(1h33) Jane calls John "honey"
(1h36) John and Jane arguing "this isn't even a real marriage"
(1h37) John calls Jane "honey"
(1h40) John and Jane talk about marriage: separating versus staying together and fighting
(1h49) John calls Jane "sweetheart"
(1h49) Jane tells John there's nowhere she'd rather be than right here with him
(1h51) John and Jane talk about their marriage with the marriage therapist; they look at each other happily
(1h52) John asks the therapist to ask the sex question and signals "10" with his fingers and lips
31(0h03) A soldier holds Jane's arm
(0h03) John takes Jane's arm
(0h03) John and Jane shake hands; John holds onto Jane's hand for a while
(0h06) John and Jane hold hands
(0h14) John and Jane lie next to each other in bed without touching or being involved with each other
(0h18) Another of Racin's guards has his hand on Jane's back as he guides her
(0h22) Jane puts her hand on Racin's back, then her hands on his chin and top of his head to "break his neck"
(0h23) John and Jane stand with their arms around each others' waists
(0h23) Jane kisses Suzy Coleman on the cheek; Suzy takes Jane's arm
(0h36) One of Jane's associates tends to a wound on her back shoulder (don't actually see the wound)
(0h41) John takes Jane's wrist, puts his other hand on her other elbow (arm around her back) to get carving knife away from her
(0h44) John and Jane brush each others' arms as they race away from the dinner table
(0h50) John has arms around waists of his father and Jane in wedding video
(0h50) Jane has arm around waist of her "father" in wedding video; she half hugs him and kisses him on the cheek
(0h50) Jane and a woman in a pink suit touch arms, come close to a hug
(0h50) John lifts Jane's wedding veil off her face
(1h01) John puts his hand over Jane's on her champagne glass to pour her more champagne
(1h03) Jane takes John's offered hand - he leads her onto the dance floor, but then twists and hurts her hand
(1h13) John and Jane shove and grab each other repeatedly in a fight scene
(1h13) Jane throws a length of fabric around John's neck and pulls him close for a headbutt; she repeatedly grabs his tie while hitting him
(1h13) Jane and John both sit on the other as they fight on the floor
(1h13) John stands up with Jane's arm around his neck and her legs around his waist - he puts his hands under her thighs and swings her around trying to shake her off
(1h20) John grabs Jane's arm
(1h26) Jane slaps John's arms, legs lightly a bunch of times (angry because he's been married before)
(1h38) Jane shoves Benjamin's face/head
(1h43) John pushes Jane against a wall - hand on arm
(1h43) John and Jane karate chop an attacker and lower him to the ground
(1h47) John puts his arm around Jane's waist and she puts her arm around his neck as he supports her while she walks
(1h48) Jane helps tie a bandage around John's arm
(1h50) John and Jane stand facing each other with arms past each other as they fire on enemies - almost a hug
(1h50) John and Jane touch backs and arms as they fight back to back
Kerry Washington/Jasminefemale1(0h08) Jasmine in tank top01(1h31) Jasmine calls Jane "babe"0
Rachael Huntley/Suzy Colemanfemale1(0h23) Suzy Coleman has lowish neckline001(0h23) Jane kisses Suzy Coleman on the cheek; Suzy takes Jane's arm
Michelle Monaghan/Gwenfemale001(0h37) John asks the girl geek a question that might have been "you taken?"; she replies "No, but my girlfriend is."0
Stephanie March/Julie - Associate #1female2(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage
(0h36) One of associates in sheer black top with black bra underneath; with open V at front - low neckline
001(0h36) One of Jane's associates tends to a wound on her back shoulder (don't actually see the wound)
Jennifer Morrison/Jade - Associate #2female3(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage
(0h50) One associate in miniskirt
(0h36) Another associate in shirt that is way too tight through the bust
000
Theresa Barrera/Janet - Associate #3female2(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage
(0h50) One associate in long tight slit skirt
000
Perrey Reeves/Jessie - Associate #4female2(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage
(0h50) One associate in silver blouse with very deep neckline
000
Melanie Tolbert/Jamie - Associate #5female2(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage
(0h50) One associate in black zip front with low neckline, cleavage
000
Maree Cheatham/Father's Secretaryfemale0000
Laine Collins/Eddie's Waitressfemale1(0h35) Waitress has uniform unzipped quite low, to show a hint of cleavage01(0h35) Eddie winks at the waitress, says to John he'd like to get with the waitress0
Jennifer DeMille/Breakfast Diner Waitressfemale1(1h29) Waitress has uniform unzipped low000
Ali Marsh/Mom #1female1(0h24) Another woman at party with low neckline000
Merrilee Dale/Mom #2 (as Merrilee A. Dale)female0000
Abigail Rose Solomon/Mom #3female0000
Lauryn Alvarez/Coleman Kid #2female0001(0h24) Martin picks his daughter up
Patrika Darbo/50's Womanfemale0000
Patricia Donaldson/Louisefemale0000
Kaela Freeman/Neighborhood Girlfemale0000
Megan Gallagher/40's Womanfemale0000
Amy Hathaway/Beautyfemale0000
Katherine Herzer/Hopskotch Girl #1female0000
Jessica Hedden/Hopskotch Girl #2female0000
Hannah Von Kanel/Hopskotch Girl #3female0000
Stephanie Ittleson/Party Guestfemale0000
Liz Ramos/Salsa Dancer #1female001(0h03) Woman in camisole top (print) dancing sexy with man dancing sexy0
Melissa Hurley/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Jacqui Landrum/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Carol Mack/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Gloria Rodriguez/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Linda Kathleen Taylor/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Anne Vardanian/Dancerfemale0001(1h00) couples waltz semiformally on the dance floor
Jacqueline Bisset (scenes deleted)female0000
Yuenwah Hui/Mrs. Wu (scenes deleted)female0000
Angela Bassett/Mr. Smith's Boss (voice) (uncredited)female0000
Janelle Giumarra/Woman #3 (uncredited)female0000
Heather Petrone/BB Gun Shooter (uncredited)female0000
No creditfemale1(0h03) Woman in bg in off shoulder blouse01(0h03) Man and woman dancing sexy with arms around each other1(0h50) Jane and a woman in a pink suit touch arms, come close to a hug
No creditfemale1(0h03) Woman in miniskirt01(0h03) Third couple dancing sexily together1(1h05) A man has his arm around a woman's waist as they flee
No creditfemale1(0h03) Woman in camisole top (print) dancing sexy with man dancing sexy01(0h10) Benjamin calls a woman at his office "Sweetie"1(1h05) Another woman puts her hand on a man's shoulder
No creditfemale1(0h04) Woman in pink cleavage01(0h08) Eddie comes on to two women at the gym "Hi there"2(1h05) A woman has a hand on a woman's shoulder
(1h05) A man has a hand on the second woman's arm
No creditfemale1(0h07) Woman in bg in pink tank top with very large breasts01(0h08) Eddie comes on to two women at the gym "Hi there"1(1h05) A woman has a hand on a woman's shoulder
No creditfemale1(0h08) Woman in blank tank top with a bit of cleavage001(1h05) A woman touches a man's arm/chest
No creditfemale1(0h08) Woman in powder blue tank top001(1h05) A man touches a woman's arm
No creditfemale1(0h08) Woman in striped tank top000
No creditfemale1(0h08) Woman in red tank top000
No creditfemale1(0h10) Woman in Benjamin's office with blouse under jacket unbuttoned a couple of buttons too far - to bustline000
No creditfemale1(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage000
No creditfemale1(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage000
No creditfemale1(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage000
No creditfemale1(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage000
No creditfemale1(0h29) All of Jane's coworkers (about 10) except Jas are sexed up in some way or other - very high heels, short skirts, low necklines, bare shoulders, cleavage000
No creditfemale1(1h05) Woman in black dress with cleavage000
No creditfemale1(1h05) Woman in grey sleeveless dress with cleavage000
No creditfemale1(1h05) Woman in little black dress with low neckline/shoulder straps000
No creditfemale1(1h05) Another woman in restaurant with cleavage000
Brad Pitt/John Smithmale7(0h02) John has three buttons open on his shirt at top (and one at bottom), with a knotted handkerchief covering a bit of his bared chest; also he shows some back as he adjusts shirt over revolver in waistband
(0h05) John - shirt as before but no hanky at neck
(0h07) John in sleeveless T in boxing ring
(0h09) John is shirtless
(1h16) John shirtless
(1h17) John shirtless when he answers the door, Jane stands beside him with fabric wrapped around her (sheet or curtain)
(1h19) John is in a T shirt and boxers; you can see a bit of skin at his lower back a couple of times as he gets up
14(0h04) John and Jane dance sexily together, with some touching (John's arm around Jane's shoulder; Jane's arms around John's neck) and dancing very close
(0h04) Jane sits on John's lap, his hand on back of her waist; he strokes her arm, side; they kiss
(0h06) John and Jane kiss with their arms around each other
(0h07) John and Jane walk with arms around each other; John kisses the side of Jane's head
(0h06) John and Jane walk through fairground with John's arm around Jane's neck, Jane's arm around John's waist, Jane's other hand on John's hand (around neck)
(0h12) John kisses Jane next to her mouth
(1h03) John and Jane dance very closely and sexily/dramatically together; variously feeling each other up to check for weapons
(1h15) John and Jane kiss passionately, their hands on each others heads
(1h15) John pushes Jane against a wall on a piece of furniture and pulls her skirt up; they kiss that way
(1h16) John takes his shirt off, he and Jane kiss, Jane helps him off with his T shirt, they kiss again, shoving furniture around in process
(1h16) John and Jane lie down next to each other on the floor, John's arm resting on Jane's hip; Jane now in bra (having pulled dress down in previous sequence somewhere)
(1h16) Jane sits astride John and they kiss again
(1h16) John and Jane caress each others faces - Jane now not showing any sign of bra straps
(1h17) John has his arm around Jane (Jane is holding the fabric around her in place)
37(0h00) Marriage therapist asks John and Jane how happy they are, and how often they have sex (they dodge the second question)
(0h08) John tells Eddie he's asked Jane to marry him
(0h16) Jane and John call each other "hon"
(0h25) John compliments Jane on her dress earlier that evening; she doesn't take the opening and he's disappointed
(0h37) John asks the girl geek a question that might have been "you taken?"; she replies "No, but my girlfriend is."
(0h40) John and Jane say they missed each other (not sincere)
(0h41) John calls Jane "sweetheart"
(0h43) John calls Jane "sweetheart" again
(0h44) John calls Jane "honey" but she's not there to hear
(0h47) Eddie goes on about how women (all women) can't be trusted, and spins negative scenarios about Jane to John
(0h53) Jane calls John "honey"
(0h53) John and Jane spar verbally with sexual innuendo
(0h57) John calls Jane "sweetheart"
(0h58) John calls Jane "honey"; Jane calls him "baby"
(1h01) John calls Jane "doll"
(1h02) John calls Jane "sweetheart"
(1h03) Verbal sexual innuendo between John and Jane as he searches her for weapons
(1h04) John and Jane argue why their marriage failed
(1h06) John is sentimental on phone to Jane, trying to get through to her "she looked like Christmas morning when they first met", Jane is cold (and lying)
(1h06) Jane calls John "baby"
(1h11) Jane calls John "baby"
(1h12) John calls Jane "sweetheart"
(1h13) John calls Jane "honey"
(1h18) John and Jane are clearly happy after a night together having sex
(1h24) Jane calls John "baby"; John calls her "sweetheart"
(1h25) Jane calls John "honey" twice then "sweetheart"
(1h25) John calls Jane "honey"
(1h27) John calls Jane "sweetheart"
(1h32) John and Jane talk about how many they've killed - sexual innuendo
(1h33) Jane calls John "honey"
(1h36) John and Jane arguing "this isn't even a real marriage"
(1h37) John calls Jane "honey"
(1h40) John and Jane talk about marriage: separating versus staying together and fighting
(1h49) John calls Jane "sweetheart"
(1h49) Jane tells John there's nowhere she'd rather be than right here with him
(1h51) John and Jane talk about their marriage with the marriage therapist; they look at each other happily
(1h52) John asks the therapist to ask the sex question and signals "10" with his fingers and lips
34(0h03) John takes Jane's arm
(0h03) John and Jane shake hands; John holds onto Jane's hand for a while
(0h06) John and Jane hold hands
(0h07) John grapples with a boxer in a ring; they end up on the floor in various holds; the man flips John
(0h14) John and Jane lie next to each other in bed without touching or being involved with each other
(0h20) John touches poker player's head affectionately, pulling their heads together for a moment
(0h23) John and Jane stand with their arms around each others' waists
(0h23) Martin Coleman touches John's back
(0h41) John takes Jane's wrist, puts his other hand on her other elbow (arm around her back) to get carving knife away from her
(0h44) John and Jane brush each others' arms as they race away from the dinner table
(0h50) John hugs father in wedding video
(0h50) John has arms around waists of his father and Jane in wedding video
(0h50) John lifts Jane's wedding veil off her face
(0h52) John has his hand on Martin Coleman's shoulder
(1h01) John puts his hand over Jane's on her champagne glass to pour her more champagne
(1h03) Jane takes John's offered hand - he leads her onto the dance floor, but then twists and hurts her hand
(1h05) John touches a man's arm as he flails away
(1h05) John pulls the limo driver out of his seat
(1h13) John and Jane shove and grab each other repeatedly in a fight scene
(1h13) Jane throws a length of fabric around John's neck and pulls him close for a headbutt; she repeatedly grabs his tie while hitting him
(1h13) Jane and John both sit on the other as they fight on the floor
(1h13) John stands up with Jane's arm around his neck and her legs around his waist - he puts his hands under her thighs and swings her around trying to shake her off
(1h20) John grabs Jane's arm
(1h26) Jane slaps John's arms, legs lightly a bunch of times (angry because he's been married before)
(1h27) John pulls a male attacker through the car - hand on arm
(1h35) John carries Benjamin in a blanket over his shoulder; dumps him in van then touches the blanket covering him
(1h39) John grabs Benjamin's shirt, then pulls it up to remove his belt
(1h43) John pushes Jane against a wall - hand on arm
(1h43) John and Jane karate chop an attacker and lower him to the ground
(1h47) John puts his arm around Jane's waist and she puts her arm around his neck as he supports her while she walks
(1h48) Jane helps tie a bandage around John's arm
(1h50) John puts a hand on Jane's shoulder for balance
(1h50) John and Jane stand facing each other with arms past each other as they fire on enemies - almost a hug
(1h50) John and Jane touch backs and arms as they fight back to back
Vince Vaughn/Eddiemale004(0h08) John tells Eddie he's asked Jane to marry him
(0h08) Eddie comes on to two women at the gym "Hi there"
(0h35) Eddie winks at the waitress, says to John he'd like to get with the waitress
(0h47) Eddie goes on about how women (all women) can't be trusted, and spins negative scenarios about Jane to John
0
Adam Brody/Benjamin Danzmale1(1h39) Some of Benjamin's torso shows as John pulls up his shirt to get at his belt01(0h10) Benjamin calls a woman at his office "Sweetie"5(0h30) Benjamin sits in a vehicle with guards sitting very close on either side - sides touching
(0h34) Both soldiers sitting next to Benjamin cover him with their bodies (while still sitting in vehicle)
(1h35) John carries Benjamin in a blanket over his shoulder; dumps him in van then touches the blanket covering him
(1h38) Jane shoves Benjamin's face/head
(1h39) John grabs Benjamin's shirt, then pulls it up to remove his belt
William Fichtner/Dr. Wexler, marriage counselor (voice) (uncredited)male003(0h00) Marriage therapist asks John and Jane how happy they are, and how often they have sex (they dodge the second question)
(1h52) John and Jane talk about their marriage with the marriage therapist
(1h52) John asks the therapist to ask the sex question and signals "10" with his fingers and lips
0
Victor A. Chapa/American Hotel Managermale0001(0h02) The hotel manager touches a soldier's arm in the bg
David Escobedo/Americana Hotel Bartendermale0000
Miguel Angel Caballero/Bellboy - Bogota (as Miguel Caballero)male0000
Joel Munoz/Policia #1male0001(0h02) The hotel manager touches a soldier's arm in the bg
Derek Medina/Policia #2male0001(0h03) A soldier holds Jane's arm
Luis Racer/Policia #3male0000
Richie Ornelas/Policia #4male0000
Edward Padilla/Colombian Military Officermale0000
Nigel Hudson/Boxing Sparring Partnermale0001(0h07) John grapples with a boxer in a ring; they end up on the floor in various holds; the man flips John
Greg Ellis/Mickey - Dive Bar Patron #1male0001(0h20) John touches poker player's head affectionately, pulling their heads together for a moment
Ron Bottitta/P.J. - Dive Bar Patron #2male0000
Peter Lavin/Leroy - Dive Bar Patron #3male0000
Ravil Isyanov/Curtis - Dive Bar Patron #4male0000
Sean Mahon/Lucky - Dive Bar Patron #5male0000
Kim Schioldan/Bartender - Dive Barmale0000
Mark Ivanir/Patron - Dive Barmale0000
Keith David/Fathermale0000
Chris Weitz/Martin Colemanmale0003(0h23) Martin Coleman touches John's back
(0h24) Martin picks his daughter up
(0h52) John has his hand on Martin Coleman's shoulder
Mike McCaul/Bill the Neighbormale0000
Michael-John Wolfe/Bartender - Coleman Housemale0000
Simon Kinberg/Investment Banker #1male0000
Michael Winther/Investment Banker #2male0000
Noah Dahl/Coleman Kid #1male0000
Jerry T. Adams/Guard - Bullmale0000
Elijah Alexander/Marco Racinmale2(0h19) Racin in bathrobe partly open in front to show V of skin down to sash around waist
(0h21) Racin now topless, with bathrobe from the sash down
01(0h21) Jane strokes and slaps Racin's back with a horsewhip1(0h22) Jane puts her hand on Racin's back, then her hands on his chin and top of his head to "break his neck"
Hans F. Alexander/Louismale0000
Burke Armstrong/Restaurant Patronmale0000
Earl H. Bullock/50's Manmale0000
Deren LeRoy/Doormanmale0000
Kevin Makely/Hotel Doormanmale0000
Benton Jennings/Maitre'Dmale0000
Christian Jensen/Restaurant Waiter (as Chris Jensen)male0000
Chris Daniels/Mailman Assassinmale0000
Will Moore/House Assassin #1male0000
Jordan Osher/House Assassin #2male0000
Keith Diorio/Salsa Dancer #2male001(0h03) Woman in camisole top (print) dancing sexy with man dancing sexy0
Sam Sabbah/Bodyguard #1male1(0h18) One of Racin's guards has his shirt open two buttons000
Sabi Dorr/Bodyguard #3male0001(0h18) Another of Racin's guards has his hand on Jane's back as he guides her
Mark Newsom/Guard #1male0000
Eugene C. Palmer/Judge (as Eugene Palmer)male0000
Leonard Armond Robinson/Watchguard (as Leonard Robinson)male0000
Felix A. Ruiz/Vocalistmale0000
Ty Sharp/Towncar Drivermale0001(1h05) John pulls the limo driver out of his seat
Jimmy Shubert/Ancient Barkermale0000
Kim H. Winther/Mr. Smith's Fathermale0002(0h50) John hugs father in wedding video
(0h50) John has arms around waists of his father and Jane in wedding video
Jeff Yagher/40's Manmale0000
Bryan Anthony/Dancermale0001(1h00) couples waltz semiformally on the dance floor
Douglas Caldwell/Dancermale0001(1h00) couples waltz semiformally on the dance floor
R.J. Durell/Dancermale0001(1h00) couples waltz semiformally on the dance floor
Michael Morris/Dancermale0001(1h00) couples waltz semiformally on the dance floor
Ara Vardanian/Dancermale0001(1h00) couples waltz semiformally on the dance floor
Luis Vasquez/Dancermale0001(1h00) couples waltz semiformally on the dance floor
John Woodruff/Dancermale0001(1h00) couples waltz semiformally on the dance floor
Mark Barba/Computer store patron (scenes deleted)male0000
Eddie J. Low/Mr. Wu (scenes deleted)male0000
Terence Stamp (scenes deleted)male0000
Julius Callahan/Sebastian James (uncredited)male0000
Shilo Frontierro/Assassin (uncredited)male0001(1h27) John pulls a male attacker through the car - hand on arm
Matt Gallini/Algerian Assasin (uncredited)male0000
James Groh/Smith neighbor (uncredited)male0000
Raphael Verela/Boxer (uncredited)male0000
Seth T. Walker/Guest (uncredited)male0000
No creditmale1(0h03) Man in bg in tank top (behind woman with off shoulder blouse)01(0h03) Man and woman dancing sexy with arms around each other2(0h30) Benjamin sits in a vehicle with guards sitting very close on either side - sides touching
(0h34) Both soldiers sitting next to Benjamin cover him with their bodies (while still sitting in vehicle)
No creditmale1(0h08) Man in tank top01(0h03) Third couple dancing sexily together2(0h30) Benjamin sits in a vehicle with guards sitting very close on either side - sides touching
(0h34) Both soldiers sitting next to Benjamin cover him with their bodies (while still sitting in vehicle)
No creditmale0001(0h50) Jane has arm around waist of her "father" in wedding video; she half hugs him and kisses him on the cheek
No creditmale0001(1h05) A man has his arm around a woman's waist as they flee
No creditmale0001(1h05) Another woman puts her hand on a man's shoulder
No creditmale0001(1h05) A man has a hand on the second woman's arm
No creditmale0001(1h05) A woman touches a man's arm/chest
No creditmale0001(1h05) John touches a man's arm as he flails away
No creditmale0001(1h05) A man touches a woman's arm
No creditmale0001(1h43) John and Jane karate chop an attacker and lower him to the ground
Count female credits373011017
Sum female credits61144848
Count male credits6661830
Sum male credits13144972

Miscellaneous

(0h25) Jane is given a full body scan, which comes up on the computer screen as an outline of her body under her clothes
(1h43) Two male mannequins nude from behind